by Kate Reese Hurd\u00a0<\/p>\r\n
In December 2019, the first half of Part I of my Singing and Jumping Opens the Way<\/em> music eurythmy report was posted at our site. The brief article that is appearing in our spring 2022 Newsletter, \u201cThe Earliest Records Show the Angle-Gestures as Moveable Do,\u201d will unfold much more comprehensively as Part III of this larger report. What is posted here now is the final section, Part IV. When the report is done and published, this final Part will no doubt have been revised somewhat, but I felt it important to post it without waiting.<\/p>\r\n TABLE OF CONTENTS of the Singing and Jumping<\/em> report: Wishing you a wonderful musical journey, Part IV for download: by Kate Reese Hurd\u00a0 In December 2019, the first half of Part I of my Singing and Jumping Opens the Way music eurythmy report was posted at our site. The brief article that is appearing in our spring 2022 Newsletter, … Continue reading
Preface
Basics for the Best Use of the Report
Prologue: Arriving at a Boundary in Music Studies and Performance
Part I: The Archetypal Scale and Its Disappearance \u2013 A Memoir
Part II: Contemplating More Carefully Our Fixing of the
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Archetype to One Audible Pitch-tone and Scale
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Taking Another Look at Our First Exercise
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Hexachord and the Process of Mutation
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Our Notation\u2026\u00a0 (and etc.)
\u00a0Part III: Fixed Do and Moveable Do in Our Eurythmy
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Early History of Our Angle-Gestures
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Lectures
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Developments Since 1924
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Scale Degrees, \u2018Tones\u2019 and Intervals
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Moving Toward a Moveable Do Practice \u2013
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bach\u2019s Arioso and his Air on the G String (and etc.)
Part IV: The Singing and Jumping Exercises \u2013
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Real Sound-Experiences Lead to Real Gestures
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Introduction to Part IV
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Eurythmy Meditation
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Agrippa von Nettesheim Drawings Come to Life
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beginning to Sing
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entering the Scale Degrees
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entering the Melodic Intervals
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entering the Triads
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Exploring Harmonic Progressions and Modulation
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entering Music With Fresh Sensibilities
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Equal Temperament: Does It Change Things?
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Atonal and Twelve-Tone?
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Closing
Materials
References, Endnotes and About the Author
Appendix I, \u201cThe Scale Degree Intervals Give Rise to Our Tonal Music Gebilde\u201d\u00a0
Appendix II, \u201cFixed Do and Moveable Do in Our Eurythmy: Does It Matter?\u201d<\/p>\r\n
Kate Reese Hurd
karehuuu@gmail.com<\/a><\/p>\r\n
SingingJumping,PartIV,Exercises,KateReeseHurd,031422,pdf<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"